~/eghan

Mullite block production

For Dawson's calciner prototype. He designed the blocks, I figured out how to produce them.

The test campaign helped us choose the mullite mix. Now on to casting seven blocks in three different shapes, with compound negative spaces, in a formulation that stays fragile until it is fired. The largest would weigh nearly 100 lbs. The heavy block required special consideration, easy to break, hard to cast, needed to be flipped for demolding to dry fully.

Molds

XPS foam, carved on the CNC router. XPS worked well. Carving it was very messy.

Stacked foam rings forming the quatrefoil core

Core built up in layers on the base plate.

Foam core with PVC pipe stubs, lid cut alongside The mold assembled with lid and side walls

Left: PVC stubs set, lid cut and waiting. Right: closed up.

For the compound negative spaces we used 3D printed formers set into the mold. Dawson worked out gently tapered pins for stack alignment. They were difficult to demold, but patience won the day. The side ports that created the negative spaces were critical for access and sensors. Take note prototypers, -access- & -sensors- . Data and the ability to see and fix parts inside often saves time and frustration. These issues often come up after the object is built, planning ahead strategically can provide adaptability and information that can remove the necessity for a further prototype or time consuming alterations.

Vibration

It was hot outside, so I designed a vibrating platform and catch that could run indoors.

Vibratory platform on plywood with spring mounts, eccentric motor, and catch tray

Spring-mounted deck, eccentric motor underneath, catch under all of it.

Casting

Clamped up with everything in the shop, poured over a spill grate. Sometimes work fast and make a mess. I did do it the harder way the first time, sigh.

Mold clamped with bar clamps, on a spill grate

Clamped and banded.

The clamped mold in the lab

Same setup, room for scale.

Demolding

Early testing turned up predictably slow drying when partially demolded and corner fragility until pretty dry. With time pressures also predictably in place, getting the blocks all out whole and unchipped would save us critical time and labor. That's what I kept in mind when these parts of the process went more slowly than I would have preferred.

Printed formers were destructively decored using a heat gun, it was messy and slow but worked very well. ABS holds up better if you want to reuse a mold, and is worse if you plan to destroy it as it doesn't soften as much. This is also when I started to detect that 'Bamboo' brand PLA is harder to remove with the heat and peel off method.

Block on a pallet with plates and black formers still in place

Still dressed. Formers and top plates not yet off.

Pulling a heat-deformed black former out of the center port

PLA, destructively decored. Heat gun just out of frame.

What actually solved it: disposable sleeves between the former and the casting, which worked especially well once thick mold release was applied. With this method all of the placing pin holes came out very clean.

Foam remnants inside the void being cut out with a utility knife

Knife work on the foam.

Demolded sleeves in a black tray

The sleeves, after.

Handling

Flipping a fragile 100 lb block by hand, on a Saturday, required some re-consideration. I had planned on rolling it over side on edge, but that could chip the corners. So, a portable gantry with a chain hoist did the lifting. Extra foam sheeting kept the sides protected. In the end it was a blessing to do it alone. It would have been faster but riskier to do with a helper. With a rolling sling the block suspended in the cradle could be gently rolled even tho rectangular, with side lift points used to reduce edge pressure. It looked funny. It worked well.

The largest block flat in the sling under the gantry The same block up on edge, mid-flip

The flip, in two frames. Flat on the way up, on edge coming through.

I also designed and fabricated a bucket tip lift, which saved our backs.

Result

Two finished blocks on a pallet

First two out.

A cleaned block, void and side port clear

Cleaned up. Utility knife for scale.

Shop floor with buckets and formers staged for the next pour

Staged for the next one.

What went wrong

For what could have gone wrong, little did. I made a mess casting the first block, shrugs. Move fast does have its costs.

What went right

Role

Dawson designed the blocks and the calciner. I worked out the production process: molds, casting, demolding, drying and handling — including the indoor vibe platform, the rolling sling and the bucket tip lift.

Notes